Thursday, December 30, 2010

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About archeology

When he was only 9 years old, woke up my fascinated by the archaeological world. Influenced by movies like The Mummy or the Indiana Jones trilogy . life has led me to explore a wonderful career: ART HISTORY , but ... Why we can not specialize in archeology and the history? It is still a mystery to me, because I think we are just trained them to recognize the various historical periods as well as various objects. And after this paragraph, I will talk about archeology.
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Archaeology is an evolving science. If he had raised a few centuries ago what archeology, the answer was almost unanimous, and archaeological research would have been related to the history of ancient art. archaeologist was considered a unique character, out of his time, his mind last oriented. But today is not so. The first question many would answer that the archaeologists' work is useful for reconstructing the history of the distant past or future. Currently, demand for an archaeologist who bring to light not only works of art in particular, but also documents, materials on an objective basis to reconstruct the development of a civilization. We can not have direct contact with the ancient world if not through the findings, sometimes made casually or literary evidence we have received from different civilizations. A question that frequently arises is the archaeologists on the research methods that lead to the discovery of an archaeological site. You have to respond that sometimes make important discoveries by accident, during agricultural work or with increasing frequency during construction. However the archaeologist's work does not depend on chance and investigations are carried out according to proven methods. How do you get time to make a discovery? First, you need to check everything that has been written about the area to be investigated, including a valuable archival documentation, and since not all findings have been published can be helpful notes archaeologists, antiquarians and scholars of the past. Another important step is the recognition field, where the existence of any remains of ancient structures or fragments of material (ceramic, plaster, tiles, tiles ...) could indicate an occupation in antiquity. The excavation goal is not only bringing to light a building or a work of art but also to understand the relationships between the monument and the context to which he belonged. The excavation thus becomes one of the major research tools for the archaeologist. However, the archaeological data acquisition inevitably involves the use of destructive procedures. Land has always been sealed in layers called strata or stratigraphic units (EU), and through them the archaeologist goes back exactly the way using the stratigraphic method. sediments that gave rise the layers can be of the anthropogenic (generated by human action, such as construction, demolition, fire or accumulations of materials), or wild type, caused by orogenic events (deformation of the crust), erosion (water and wind ) and catastrophic. stratigraphic excavation follows standardized procedures, so that can be applied in all places and all times. In recent years archaeological science has made great changes, especially the use of methods and techniques increasingly evolved and combined with other disciplines. Since its birth as an independent science, archeology has made use of methodologies of other disciplines such as geography, anthropology, sociology and linguistics, and has also earned the collaboration of biologists, chemists, doctors and geologists. historically dating allows us to frame an object or the layer where certain terms have been found post quem and ante quem context. In many cases it may help establish whether it is a forgery. The archaeologist, who can not always have elements that facilitate dating, to undertake it must also use for laboratory analysis. The different techniques used depending on the material to dating, dating can get all type (ie, calendar dates expressed in years from now) or relative dating. The main techniques for dating relationships are stratigraphy, seriation and chemical analysis. Sign most widely used techniques for absolute dating (also called chronometric) are the carbon 14 (radiocarbon), the potassium-argon and employing thermoluminescence.

Sunday, December 12, 2010

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Brera Virgin Vault

Firstly we must stress the promoter of this work, Federico da Montefeltro (1422-1482). This character was a condottieri Italian Renaissance and the Duke of Urbino from 1444 until his death. is important to note that in this work is represented, but showing her left profile (as always appeared depicting him), because during one of his first campaigns lost his right eye, leaving a big scar. So shows his good side. " As the painter, who was Piero della Francesca, to comment that is considered the first attempt to systematically apply geometric perspective to painting. ................................................ .................................................. ..................... -ANALYSIS OF WORK- The composition scheme is as follows: in the center we see Mary with the child asleep in a strange position. On each side of the virgin saints observed at 3 and 2 angels. The scene takes place in a space dominated by a distinctly Renaissance architecture, especially the barrel vault is closed in a shell from which hangs an ostrich egg. The coffers are decorated with floral elements and have a considerable relief, creating the feeling of being in a palace rather than a sacred space or celestial. light illuminates all the figures, reinforcing the sculptural character and contributing to the formation of space in the scene. It also serves to increase the effect of autonomy of the characters even when very close to each other, each one is distant from your partner. The virgin is larger than the other characters, and Federico de Montefeltro it is placed further out to respect the sacred aura that is created around the Virgin and Child and saints. ................................................ .................................................. ...... -SYMBOLIC- INTERPRETATIONS * EGG: hanging egg on top and pointing to the child's navel, you can attribute many symbolic meanings. It can be understood as a symbol of life and birth, and hanging from a shell (symbolizing fertility). You may also symbolize the sign of a virgin birth. Moreover, the painter may have chosen this symbol of the perfect geometric shape. * COLLAR: the baby Jesus held in his hand a red coral necklace, which refers to the blood. Is a symbol of life and death, but also of the salvific function linked to the resurrection of Jesus Christ.

Sunday, November 21, 2010

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Manor features Neoclassicism

This is a country house is located in the heart of Terra Chá (Lugo-Galicia). Sunday Made by Lois Monteagudo a Canon Custom Don Juan Francisco Suarez and Duck. The architect chose a work that could be an innovative proposal in regard to the type of Galician country house, and finally breaking with the Baroque and introduced in Galicia the Palladian influence (which would be so decisive in shaping the neoclassicism). Importantly, the architect continued keeping the walls of the original house as a core element of the new work. Not only retired into the background the old facade, but forced to draft a strong horizontality to the building to give him a solemn, wide. Although Domingo Monteagudo Lois kept the walls of the old house as a core element of the new work, he had completely rework the internal organization of the building. We know nothing of the ground floor, except for units was agricultural. The upper floor is a model of organization calculated that is structured around a large central hall square. This stately there is a desire to accommodate the organization functional internal space of strict symmetry rules. are classic, ultimately, the idea to define with absolute clarity the volume of the building, the simplicity of his language or his emphatic ornamental symmetry that dominates the facade and who seeks to exalt the minimum possible elements of nobility and character of its owner.

Sunday, October 31, 2010

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was a movement that occurred in Europe in the eighteenth century as a reaction to former World Baroque. The eighteenth century is a time of great change, since the Enlightenment seeks to end the baroque exaltation and scenic character, with the personalization of power and especially with the decorative excesses of the Rococo. Neoclassicism (1750-1800) responds to this need and the service architecture of rationalism, order, harmony and humanist principles. In essence, this is a return to Greco-Roman antiquity. ................................................ .................................................. .......................... For furniture, designers that inspire him back to Greek and Roman sources rather than to the Renaissance, but gladly adapted to the eighteenth century. neoclassical furniture were simple and geometric with straight legs that were shaking round or square section. In neoclassical furniture used different ornamentation such as medallions, denticles, moldings Corinthian, Ionic or Doric and wood were used as ebony or mahogany.

Saturday, October 23, 2010

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Megalithism: mounds in Galicia

the length and breadth of Galicia are scattered thousands of burial mounds, which are often easily discernible in the landscape. Its shape is approximately that of a spherical cap which has a funnel on top. Its plan is circular, with a tendency sometimes elliptical and its dimensions are variables. A relatively large number of mounds shows the existence of a camera, composed of large stones, sometimes covered by a large slab. These mounds, known by the names of Mamo, Medon, Modi ... spread throughout the region. The cemeteries service is only death, as some may have served as a witness not only the community of the dead, but of the living. ................................................ .................................................. ................... -MAIN FEATURES OF ARCHITECTURAL TOMBS- are constituted by sediments and rocks, sometimes presenting a ring of stones around its perimeter basement, but are also known rings around the chamber. In some instances the mass tumulus is covered with a paving stone as a shield that only exposes the large stone chamber cover. The role of the shell and the rings has been subject to several interpretations. The shell is attributed to a protective order. Serves several functions in the service of monumentality, such as preserving primitive shape and dimensions of the monument and, by the nature of the stone, marking the contrast between this and its environment in a hit. Next comment different parts: basal * Ring: in some monuments can see a ring of stones that marks the perimeter of a mound made of sediment. This type of basal ring is granted 2 functions (a protector of the mound, so that it does not lose the shape and dimensions at the bottom, another ritual would be defining the architecture with respect to environment-the world of the living- .) * Central ring: so far are little known, as is necessary to locate a careful excavation of the tomb. But really its scarcity and development support the view that their presence is not necessary from a strictly functional point of view. * Inner ring: is supported on the external surfaces of the stones of the chamber, so that its apparent use seems obvious. Camera: an important part of the mounds inside houses in central position, a stone chamber composed of regular or large size. Often has a hole or a gateway connected to a broker who communicates with the outside of the mound. 's Carmen is the area where they concentrate the findings of the trousseau, normally located in the central area of \u200b\u200bthe monument and in some cases the painting and prints are limited to this hidden interior. * Broker: usually is short to the point that it can sometimes raise questions funión. In a few cases has achieved great development and artistic expression as a print or painting. In the next picture you can see different types of mounds:

Sunday, October 10, 2010

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The "holy two croques"

It is generally known the "Holy two croques" the statue located in the sculpture of the Portico of Gloria (inside of the cathedral of Santiago de Compostela). The statue shown kneeling behind the mullion base of the porch, on the axis of the central nave of the cathedral, which worships at the altar of the basilica. Is considered to represent the teacher Matthew. This belief arose hit unique liturgy (slightly) the front against his head to acquire, in a kind of magic, some of his wisdom and skill. This sculpture has the same curly hair with some statues snails of the Portico de la Gloria (as the prophet Daniel). This statue faces the altar of the cathedral of Santiago. He wears a thin coat wears his body part, wearing a cloak fastened over the shoulder. With his right hand striking the chest and the other holding a large cartouche in which, as writers of the mid-twentieth century, was inscribed the word "ARCHITECTVS" (now deleted) that was supplemented with incised letters still visible mullion in the basement, "FEC" stands for fecit, ie identifying this character with the architect of the work. It would thus be the master himself Mateo, devoutly kneels before the St. James to offer his work. If true this interpretation the "Santo dos croques" would be a new advance of such a great teacher who, perhaps for the first and solemn, introduced into the English art of the donor's presence is not who responsible for the work, but the artist who take pride in his work.

Friday, October 1, 2010

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Chronicle of a visit to Paris

-23 September: we took the plane (with delay) to Paris. After a few laps to go the airport, take the train to get us closer to the city. Once we got to town, we prepare to take the subway which took us to our hotel (it was not easy ...) -24 September: early start after we dared to take the metro again (!) to reach our first destination: the Louvre Museum. We spent 6 hours there Inside, we stopped a few times to rest but the rest we enjoyed watching the wonders there are exposed (particularly the rooms devoted to ancient art.) After you watch museum-like palace, we were strength to rest in the park that was next to the Louvre, watching the arc of the carousel. Back home, we decided to make a small detour to see the church of Notre-Dame, because although it is all worth it to see it restored. -25 September: early start again. We returned to catch another subway brought us to the Musée d'Orsay. This time we were not so long inside the museum, but enjoy much as the Louvre museum. Once seen the museum, we went to the church of the Madeleine (pretty much out in my opinion) and after being horrified by the souvenir shops that are inside, we left. -26 September: early start as usual. Metro and every day (this is becoming routine haha). But for a change away from the center of Paris to visit a "small" church known by many and that is very important. We are talking about the church of Saint-Denis (where he says he began the Gothic). We had to await the completion the liturgical act in order to access places where you previously could not be (crypt and head). After spending half an hour watching the beautiful stained glass in his head, decided to go down to the crypt, where we find many tombs (some of them linked to French monarchs). Of note is the tomb of Clovis at the head of the church (the founder of it). the afternoon of that day, we returned to central Paris to visit the Pompidou (modern art museum), where we could see an artist named Arman who exposed some of his works related to the art of the postwar period (2 nd half of 1950). But the most interesting thing was reserved for the final, a huge room dedicated the many avant-garde s.XX. I could not contain the excitement of being in front of several works of Wassily Kandinsky himself (!!!!!!!!!) -27 September: early start. Metro to downtown Paris. This time we had the opportunity to witness a unique exhibition at the Palais Royal on the impressionist painter Claude Monet, and they brought works that are not normally provided. After waiting for a queue of about 2 hours, get to see those works that are dispersed throughout the world. Later, at the exit of the exhibition we went to a small chapel located in the heart Paris, we are talking about the Sainte Chapelle (unfortunately his header is under renovation until 2013). It is best to go and meet with the explosion of colors caused by the numerous windows that presents the chapel. -28 September: early start. Metro to downtown Paris. We could not leave Paris without visiting the Eiffel Tower (as is traditional at all tourists), so that we comply with the regulations. also decided to approach the church of SAINT GERMAIN DES PRES, well marked and known in the area. the afternoon we returned to Spain, our beloved city SANTIAGO DE COMPOSTELA. certainly an unforgettable trip. I send greetings to my companion on this trip. PD: home sweet home (with regular prices lol)

Thursday, September 16, 2010

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New Blog

Today I would like to announce the creation of a new blog related to art. I say related to art, because it depends on our tastes and points of view whether or not subject to be raised to artistic category. Becomes a blog that criticizes many "works" of conceptual art. What we want, a good friend of mine and I with the creation of this blog is to create a wide range of debate, where everybody can present his views freely (of course ...) to the numerous images that will be placed on the blog. hope you join, as could be fun. To access the blog click HERE . PS: "rubber Model" by Richard Serra P.D2: "Bottle" work of Marcel Duchamp P.D3: "Blue III" by Joan Miró

Thursday, August 26, 2010

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art My first book about ancient Egypt

- "Textures" - Oil on canvas - 18x14 cm ............................................ .................................................. .......................................... After so long, I have decided to make my first work of art. And yet, I have relied In no particular work. I just let out the creative side, and there you have the result. What is it? What do you want to convey? the answer is ... NOTHING! There are many abstract paintings if they are to reflect a meaning, but in my case was not intended to teach anyone. If someone now says he sees a window frame in the foreground, with 2 giant blobs one of the crystals, is pure coincidence! sometimes gives meaning to the work without knowing if it really is (not really have meaning.) I can say that I have relied on Pollock or Mark Rothko, but not in their respective works, if not their idea of \u200b\u200bart as a creative process (and end). ................................................ .................................................. ....................................

Monday, August 23, 2010

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-VIDEO ON THE PYRAMIDS- -VIDEO-ON EGYPTIAN TOMBS PS: everything is perfectly explained in the videos, both words are unnecessary. I hope you enjoy the content as I do.

Tuesday, August 10, 2010

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On the Origins

The construction of this cathedral dates back to 1151, but was consecrated in 1174 but his work continued well into the s. XIII. Its floor is 3 buildings of 4 sections each has a slightly marked cruiser on the ground and a header late Gothic (ca 1500) which replaced the original, which was triabsidial. Regarding transept that is covered with barrel vaults pointed out, the aisles with cross vaults and the central nave vaulting late Romanesque or protogothic. Another of the most characteristic is the dome, which belongs to the last quarter century XII. Is decorated based on gallons and scales. Without parallel in medieval architecture, has French influences, Byzantine, and Muslim crusade: from towers planned only to raise the North arrived at the foot of the temple, carried strong and certainly little Lean: Moreover we also discuss the importance of the Bishop's gate (south gate), as it is the only gate that remains original. Note balance and sobriety. We have a confluence of elements of classical origin, French, Oriental and Moorish Spain: And finally, I give you this great video that takes us into the cathedral itself:

Wednesday, July 7, 2010

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Zamora Cathedral San Pedro del Vaticano I

The first basilica of St. Peter's Cathedral, was built around the year 320 by Emperor Constantine. It was the largest church of Constantine stage in the West. It was situated where they were supposed buried the remains of the Apostle and became the paradigm of primitive basilica far into the Middle Ages. took reference to the Roman basilica (designed to administer justice), for its spacious dimensions, and it was never room of worship of other religions. Its structure elongated, rectangular and divided into ships, made them well suited to the needs of Christian worship. The exterior of the early Christian basilica is very sober, with walls smooth and without ornamentation. It had an atrium with portico. On the other hand their covers were made of wood and roof fell to 2 waters. The big difference to the Roman basilicas here is that the vaults have been removed. Inside the nave was twice as wide as the sides and top. It is precisely this greater height, allowed to place in the top row of windows that allowed the interior lighting. The roof was made of wood. Also include a transept or nave that cuts across the longitudinal vessels, which give rise to feature a Latin cross. Now I leave you a video that sums up everything written above: Demolished in the late fifteenth century by its ruinous state, on the site it occupied was built in the sixteenth century (it began with Bramante) the huge basilica that is now the highest expression of the power of the Roman Church. But that was discussed in the next post.

Sunday, June 27, 2010

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The baths in ancient Rome on the historical avant

The major contribution of Roman architecture are the hot springs (true Roman construction), but we also have the use of the arch, which is another key feature of its architecture. The Roman baths are public places restrooms for Roman civilization. In the ancient Roman villas and bathrooms are called spas or balneum and whether they were public thermae or therma . The baths were a place to bathe, but also to spend time (place to walk, talk with friends or do physical exercises). All access to the baths could pay a small fee. guarding the environment is a delicate decoration where media is not spared, filling the rooms with wonderful frescoes, mosaics and statues. We have different stays within the Roman baths, such as: * Apodyterium: costume-wardrobe / / * Lecture: central courtyard that opened all the other rooms and exercise could be practiced / / * Frigidarium: living cold water / / * Tepidarium: warm water room / / * Destrictarium: where the skin is cleaned (about a pond) / / * Laconicum: where steam is performed / / * Caldarium: hot room / / * Unctorium: access room is next to the bathroom / / * Natatio: cold pool may be within or outside frigidarium / / much fuel was needed to develop this much water bath system. Water resources were brought through the network of Roman aqueducts that every city had. The interior of the rooms and hot water pools was performed by hypocaustum system. The system is based on distribution through tunnels and tubes of hot water and steam that ran beneath the floors of the rooms and pools, and was fed by a series of furnaces were in the basement. And now a video to clarify these concepts:

Saturday, June 26, 2010

Thursday, June 24, 2010

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